• Norway
  • Norway
  • palouseheader

    Palouse Fields

    Sunrise taken in the Palouse area of Washington state.

  • nyheader

    New York City

    Long Exposure Photo Taken From Brooklyn Bridge Park, NY


If you’ve never been to PhotoWhoa.com, you need to check out their site. It’s a photography blog/store with lots of great stories along with lots of great deals on photography stuff. Well, a while back, they asked if I could do an interview and sent over some really thoughtful questions about landscape photography. Questions that really made me think about my photography, like:

How did you get your start in photography? How would you describe your work?

When did you become confident of your abilities? Were you ever unsure of your skills?

Anyway, here’s the link to the full interview if you want to check it out. It’s probably a 5-10 minute read if you have some time this weekend.

Also, while I have you here, I just wanted to let you know that I’ll be roaming around WPPI early next week. I’m teaching a Masterclass on Tuesday from 11:30-1:30 called Photoshop Compositing Secrets. After that, I’m jumping on a plane to head to LA for my Lightroom seminar on Wednesday. So if you’re at WPPI, I hope you can come by to check out my class (here’s the link: just search on my name or on Tuesday, March 4th to get to it). And if you’re in LA, there’s still time to grab a ticket to see my Lightroom seminar.

Have a good one!


I get asked all the time what filters I carry. And many times, whenever I recommend filters on one of my online training courses or shows/webcasts, people will comment on my lack of recommending Graduated Neutral Density filters. So I thought I’d set the record straight on why grad filters are dead to me. I’ve taken all grads out of my camera bag and haven’t actually used one in at least 2 years (if not longer).

First let’s look at what grads are meant to do for a landscape photographer. When we’re out shooting, if we expose for some of the darker areas in the foreground (trees, rocks, bridges, etc…), the sky typically get’s overexposed since it’s much lighter than everything else. So the darker grad filter was a way for a photographer to darken the sky in camera. Without a grad filter, this is something along the lines of what you’d see in camera in a photo with a bright sky.

Grad Filter

There’s indeed detail and color up there, but you can’t see it. So we need to fix this and grad filters have traditionally been used over the front of your lens to help darken the sky. As you can tell from the title, I’m not a fan. Here’s why:

1. It’s the Old Way Of Doing Something
I think we’ll all agree that most people have moved on past film. The Digital vs. Film arguments have all but vanished right? So we know that the way we used to do it (film), has given way to the way we do it now (digital). But a grad filter was a film tool. It was a tool we’d use to get the photo right in camera because we had to. But things have changed. We now have tools in post that are meant to do this. It’s their sole purpose. And these tools do a great job, and usually better than we could do it in-camera.

Here’s an example. When we shot film, if you wanted a black and white photo you used black and white film. Today though, very few people set their camera to B&W mode to shoot black and whites. Instead, we do it in post. It’s something you could do in camera, but we’ve moved on and we know that the B&W conversion plug-ins are better than what our camera can do. It’s the same concept with a grad filter. The post-processing techniques are better than what you can achieve with a piece of plastic/glass in front of your camera.

I guess my point with this first one here is try not to get caught up thinking you need to use a tool from the past, just because some one who used to use one, said you have to.

2. It’s More Gear to Carry and Worry About
I love filters. In fact, in my outdoor photography I’d say I have a filter on at least 50% of the time. It’s usually a circular polarizer or a neutral density filter. But you know what happens every time I put those filters on. The level of complexity increases. The more gear, the more things to think about while shooting, the less you’re concentrating on being creative and actually making a great photo and composition. So I’m not saying abandon filters all together because we can do it all in post. I’m suggesting that you abandon the filters you don’t need anymore. You can’t recreate the effect of a polarizing filter for removing glare off rocks, trees, leaves and water. Once that glare is there, it’s there. You can’t recreate (or at least recreate well) the effects of long exposure photos taken with neutral density filters. But you can recreate the effects of warming and cooling filters. And those filters are all but gone. Ten years ago, I’d always see people using them. But today, I couldn’t even tell you the last time I saw one on some one’s camera.

The grad filter is just one more piece of gear to worry about. And when you’re using either of the two other filters I mentioned above (polarizer and/or neutral density), now that complexity get’s even worse because you’re stacking filters on top of filters which gets hairy. So stick to the filters that you absolutely need, and leave the ones you don’t to post processing.

3. The Results Are Better Without An ND Filter
I didn’t write this blog post on a whim. When I give up a piece of gear and stop using it, it’s because I’ve researched, experimented, researched some more and experimented some more to get to my final thoughts. I can tell you that I’ve taken the same photos with the grad filter on, and I’ve taken the photos with it off and done many comparisons. If you simply just want to darken the sky in a graduated/feathered way, then the results are exactly the same. But to me, those results aren’t good enough. Unless you’re shooting at the beach to a perfect horizon line with nothing in front of you but water and sky, chances are you’re going to darken something that you didn’t want to. Here’s an example. I used the Grad Filter in Lightroom to darken this sky. The sky looks pretty dead-on to what I saw. But I can tell you that there was a lot more detail in the cliffs and rocks in the distance then there is now.

(click to see the image larger)

Grad Filter

So these results, to me at least, aren’t acceptable. So what do I do? Well, if I had shot this with a grad filter in camera, it’d be pretty hard to pull out detail from those rocks without it getting really noisy and grainy. And I’d be stuck with it. No delete key. No eraser brush. Nuttin’. But since I’m doing it in post, now I can just adjust the Shadows slider to compensate. Since the sky is bright, it won’t be affected by any shadow adjustments and only the darker rocks in the distance will be.

(click to see the image larger)

Grad Filter

And if you really want to get fancy, why not just take two exposures. One with the darker sky that’s well exposed (but really dark foreground), and one with the well exposed foreground (but really bright sky). Then you can use layers in Photoshop to put the to together to get the best of both worlds. You’re essentially using Photoshop to create what you saw in real life – not what your camera saw with it’s limited tonal ranges compared to your eyes. And with Photoshop’s selection technology as good as it is, you wouldn’t believe how simply these changes can be.

So when I say they’re better, trust me… they’re better. I’ve done the research and tests. And any photo you see of mine in the last 2-3 years hasn’t had a grad filter used on it.

What About Getting Perfectly Right In Camera?
Back in the film days you had to get it right in camera. But we’re not in the film days any more. So I’m really not even going to try to debate this one. Folks, to me, a good photo is a good photo. I don’t care how you got there. Not one bit. I don’t lose respect for you if I realize it was a composited image, a replaced sky, or even a fake sky altogether. To me, if it’s a great image then I’m a fan of it no matter how you got there. If you’re of the mindset that you want the photo completely done in camera, right after you press the shutter, then go for it. I know that I’ll never convince you otherwise and I don’t hope to. I wrote this only for the people that don’t mind doing a little post-production on their photos. People who may be unnecessarily making things more difficult for themselves because they heard from “some guy”, who said that they absolutely HAD to use a grad filter – and that the Lightroom/Photoshop trickery was non-sense and didn’t produce a good enough image ;-)

Thanks for stopping by. Have a good one!

Downtown Houston

I arrived in Houston Sunday afternoon for my Lightroom seminar today and was greeted by some beautiful clouds that looked like it would shape up for a great sunset. Luckily, my hotel (the Hilton) has an observation deck on the 24th floor so it was really easy to get in to place to shoot.

Sadly the god beams and crazy looking clouds had faded by the time I got there, but I did manage to put my ND filter on and grab a few longer exposures during sunset. Even better, I met up with a couple of new friends, John and Arty (thanks for letting me borrow the lens!) from Promote Control, and got a sneak peak at some technology they’re working on. I have to say, if you’re in to outdoor photography and time-lapse, from what they showed me, the Promote Control looks like a great device. I’m anxious to try it out. Anyway… So it ended up being a fun evening all around and now I have cool shot to share with the class today. Have a good one!

Photo Details:
Camera: Nikon D800
Lens: Nikon 24-70mm
ISO: 100
Aperture: f/8
Shutter Speed: 30 sec
Tiffen 2-8 Stop Variable ND Filter

(click to see it larger)
Downtown Houston


Last December, I traveled to Sacramento for one of my Lightroom seminars. I did as I always do and checked the map to see what’s close to Sacramento and I noticed that Lake Tahoe was only a couple of hours away. So I called up one of my absolute favorite people in this business, Karen Hutton (who lives nearby), to see if she wanted to go shoot. Not only did she say yes, but she also asked if I would be a part of her “The Chat” series of videos. I’ve always been a fan of Karen’s style and videos so I jumped at the chance. And below, is the result of many hours of arduous work between the two of us (actually just Karen, all I had to do was sit there) :-)

So What’s the Video About
The video is about 17 minutes long. So as to not take up too much of your time, I’ll give you the run down of what we talked about. First, she picked me up and there’s a little talk in the car about where we were going and why. From there, it jumps to us sitting along the lake chatting about shooting that morning, what kinds of things I looked for in the sunrise shoot, and about me, my job and some of my photographic thoughts (by the way, “me” is my favorite topic) ;)

Big thanks to Karen for inviting me. If you haven’t ever seen her website, she is an extremely talented photographer, writer, voice over artist, and highly skilled at so many things it’ll spin your head. So make sure you stop by her site as well. Thanks Karen!!!